Showing posts with label Michelangelo. Show all posts
Showing posts with label Michelangelo. Show all posts

Tuesday, June 21, 2011

The Delphic Sibyl by Michelangelo




















The left is a detail of The Delphic Sibyl, 1509, that is at the Sistine Chapel. I can look for minutes at her and can't get enough.
At this site it is said:

"They (the sibyls) were women of ancient times supposed to have supernatural gifts of foretelling the future. They devoted themselves to solitude and meditation, and sometimes lived apart in caves or grottoes. Sometimes they were connected with temples, and delivered what were supposed to be the messages of the gods to the worshippers. These messages were called oracles, and were greatly revered by the people who consulted the gods.
Some of the sibyls' words of wisdom were committed to writing and passed down to following generations. Though they lived in heathen countries, the tradition ran that they prophesied the advent of Christ. There is a passage in one of Virgil's eclogues (the fourth) upon which the supposition is based. Early in the Christian era, when men were spreading the new faith, they made much of these sibylline prophecies to add weight to their teachings." (keep reading at the site).
About the Sibyl:
"The Delphic sibyl, or pythia, of Michelangelo's picture, has the splendid stature of an Amazon. Her head is draped with a sort of Greek turban, beneath which her hair escapes in flying curls. Her face and expression show her at once to be unlike an ordinary woman. She has the look of a startled fawn, which has suddenly heard the call of a distant voice. She turns her head in the attitude of one listening. She looks far away with eyes that see visions, but what those visions are none can guess. There are other pictures of the same sibyl carrying a crown of thorns, showing that she predicted the sufferings of Christ. Perhaps this is the meaning of the sorrowful expression in these wide eyes."
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Tuesday, June 7, 2011

Michelangelo's contrast of colors revealed

The site WebExhibits is dedicated to the study of colors in a very easy and stimulating way. This is the way they explained how Michelangelo exaggerated the contrasts of color:

"Just a few years after Leonardo da Vinci (1452-1519) achieved tonal unity, Michelangelo Buonarroti (1475-1564) tried a different approach. His colors are brilliant and contrasted, whereas da Vinci’s are subdued and unified. Michelangelo’s contours are crisp and set off against a contrasting background, whereas da Vinci’s blend and avoid silhouette.
Doni Holy Family, Michelangelo Buonarroti, c. 1503.



Michelangelo mixes his colors with both black and white to maximize the contrast range for all the colors he uses. This means the lighter parts of each color (even the black of Joseph’s tunic) are almost white and unrealistically de-saturated."
The only color that has a high enough luminance in pure form is the yellow of Joseph’s cloak; Michelangelo does not have to de-saturate the yellow to get a high value. Therefore, the yellow robe has a different quality from all the others, the hues of which vary substantially in saturation and therefore look somewhat metallic. By using such a wide range of luminances, Michelangelo achieves vivid depth from shading. Still, both contemporaries and present day critics were surprised by his use of color. Why?
Michelangelo was the undisputed master of drawing in 16th century Italy. The cleaning of the Sistine Chapel ceiling and the Doni Tondo have revealed him to be a colorist of great originality, working with a fully-saturated palette.
Keep reading here. Browse the site if you're interested in studying colors. They have interactive tools.
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